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“I would give Kanye the world if I could,” Donda wrote. She pitched in most of the money he used to buy his first keyboard, at 14, and she trusted that the lessons she imparted to him, the local and international culture she’d introduced him to, would be of use wherever he landed, in academia or elsewhere. When his interest in schooling took a backseat to music in his first year at CSU, his mother took it hard but rolled with it. Donda stressed the value of education - she once found a porno stashed in teen Kanye’s bedroom and made him write a research paper on what the stuff could do to his developing brain. She noticed her child’s artistic gifts very early on and took advantage of every available resource to help realize his dreams while advancing her own career and training. “I was young, Black, and smart,” she wrote in her 2007 memoir, Raising Kanye: Life Lessons from the Mother of a Hip-Hop Superstar. Donda had just earned a doctorate in English education and wanted to teach at Chicago State University. Donda West, who moved up to the Windy City with a young Kanye in tow in the early ’80s after ending things amicably with ex-husband Ray, a talented photojournalist. Kanye West will have you know he was born in Atlanta and raised in Chicago, cultured and well traveled thanks to the tireless drive and nurturing of his mother, the late Dr. The main issue here is to get the pitch as to be as in-tune as possible, there’s no secret trick to this, just play the sample against another instrument and rely on your ears.Photo: Jesse Lirola/BFA Courtesy of DONDA/ In Ableton Live turn on Warp and use the Repitch warp mode, then raise the tempo of the sample from the original 66BPM to the new 85BPM. The sample is too slow to rap over, so the first step it to raise the speed and pitch.
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Kanye prefers to use the keyboard and painstakingly getting the timing right through trial and error ( Kanye West making an ill track in the studio – YouTube), but you can also use MIDI pads if you have them, or adjust the blocks in the Piano Roll. The ASR-10 is pretty outdated now, not that that stops Kanye from using it, but we can use a similar technique by utilising Ableton Live’s “Slice to New MIDI Track“ function, which will cut our sample into bits and let us play it back however we want. As A DJ that was perfect, I could scratch in what I wanted and sample and hear it as I did it, and be on beat every time.” -RZA (The Wu-Tang Manual) Therefore you could monitor what you were sampling and hear what you were adding to it. You could sample while playing your beat. I mean, let’s say you already made a drum pattern. “The beautiful thing about the ASR-10 is this: It was the first sampler that you could play the beat that you made. Here’s what the Wu-Tang Clan’s RZA has to say about the ASR-10: Kanye’s method of sampling technique is typical of sampling from the 90s, and he is the master of manipulating tempo to chop and stretch his samples, which he does on an Ensoniq ASR-10.